The platform lights still in their boxes |
The pair of cables winding their way among the lampposts on top of the baseboard. |
Exposed joints |
Covered up with tape |
And using the so-called self-adhesive cable clips AUGMENTED WITH SUPERGLUE, the lighting
Clip |
cables were installed under the baseboard.
The addition of superglue has transformed these clips into an indispensable device for wiring the layout.
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Currently listening to:
Mark Padmore singing Schubert's song cycle Winterreise on BBC Radio 3.
There seem to be two versions of Mark Padmore, with and without locks:
A fine performance. I really enjoy listening to different artists tackling Schubert's two song cycles: The Miller's Song and Winterreise.
In the pre-recital discussion, Mark Padmore talked about the differences between what seem to me two very similar cycles: similar in emotional situation that is.
He said that the Miller's Song is a much more vivid and personal account about unrequited love, whereas Winterreise is more abstract and about despair in general: the tone of the former is tragic whereas the latter is grave.
I like listening to such discussions.
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Last night's dinner:
Macaroni cheese sauce with courgettes and sliced tomatoes
Prior to going into oven |
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Colleen (Cecile Schott):
To the Recital Rooms at Glasgow City Halls, last night, for a performance by 3 artists.
Got the start time wrong so missed the first act. The second act was John Cavanagh's "Electroscope".
Electroscope from my phone |
But the star of the evening was a French singer who goes under the name of Colleen - real name Cecile Schott.
She was actually more of a performer than a singer. She used ancient stringed instruments but ran them (along with her voice) through electronic looping machines and the like. I do not have the words to describe how FANTASTIC she was except to say that she was very rhythmic, melodic and original.
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Contingency vs Necessity
Having a bit of difficulty reconciling some views on this issue.
A few days ago, I came across this from the internet which seemed to accord with common sense.
"In philosophy, contingency is usually contrasted with necessity, and it usually refers to a kind of truth.
We call a truth necessary when it is impossible for it to be false.
We call a truth contingent when it DEPENDS ON SOMETHING ELSE for its truth."
We call a truth necessary when it is impossible for it to be false.
We call a truth contingent when it DEPENDS ON SOMETHING ELSE for its truth."
But today I read this on p 4 of a commentary on Sartre's La Nausee by Rhiannon Goldthorpe.
"Contingency may provisionally be taken in the accepted sense: the contingent is without reason, without cause and without necessity."
Mmmmmmhhh!